Enantiomorphic Chamber

Yes sey

Thursday, April 29, 2010

Curtis Mann, Foldings (guided tour, Golan Heights), 2010

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Tuesday, April 27, 2010

Postcard for the exhibition COME ON: Desire under the Female Gaze, with a detail from I’ll Be Your Mirror by J. Jacobson, 2007

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Monday, April 26, 2010

Two-Headed Lizard Keeps Trying to Eat Its Own Head

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Friday, April 23, 2010

David Rothenberg, Double Eagle, 2006

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Thursday, April 22, 2010

Charlie Woolley Presents, Radio Show, 2010

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Tuesday, April 13, 2010

Elissa Levy, Double Hillary, 2008

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Monday, April 12, 2010

A.M.T & die REVOLTE: Palermo (live)

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Tuesday, April 6, 2010

James P. C. Southall, Diagram in Introduction to Phisiological Optics, 1961

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Monday, April 5, 2010

Rise in Ruin, Enantiomorphic Purple light – a suggestion, 2009

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Friday, April 2, 2010

Joan Jonas, Mirror Piece 1, 1969

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Statement

Enantiomorphic Chamber indexes an unrecognized iconographic phenomenon in contemporary art—reflected figures—and proposes a label for it, enantiomorph. Strictly speaking, an enantiomorph is a pair of asymmetrical figures, usually two three-dimensional forms, that are mirror images of one another. Our curatorial stance is looser than this. We take our name from a Robert Smithson sculpture, Enantiomorphic Chambers, 1964/65.


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      • Curtis Mann, Foldings (guided tour, Golan Heights)...
      • Postcard for the exhibition COME ON: Desire under ...
      • Two-Headed Lizard Keeps Trying to Eat Its Own Head
      • David Rothenberg, Double Eagle, 2006
      • Charlie Woolley Presents, Radio Show, 2010
      • Elissa Levy, Double Hillary, 2008
      • A.M.T & die REVOLTE: Palermo (live)
      • James P. C. Southall, Diagram in Introduction to P...
      • Rise in Ruin, Enantiomorphic Purple light – a sugg...
      • Joan Jonas, Mirror Piece 1, 1969
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Curators

  • Kevin Regan
  • fff
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